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17 The two companies organized a show in December in the Tky Kaikan a reception lounge in Tokyo, near the Imperial Palace) to celebrate the new agreement.Options include Auto, Daylight, Cloudy, Tungsten, and Fluorescent.3, in 1930, a strike occurred in the Mukogawa plant, whose director was Willy Heilemann.Nifcaklapp and Nifcasport folding cameras and by the, nifca-Dox strut-folder, all taking film plates or pack film.Stuttgart: Lindemanns Verlag, 3rd edition, 1999.The address of the company in the early 1930s was saka-shi Higashi-ku Kita-kytar-machi 3-chme 15-banchi Mishina Building.3) The Minolta ER was a fixed lens SLR and thus not part of the Minolta SR system.Basic Features.2-megapixel CCD.This camera was equipped with a Rokkor 75/3.5 that was the first Japanese coated lens commercially available, and also the first lens made by the company for civilian use.Exposure is automatically controlled at all times, wi th only a few exposure options available.Kikan Classic Camera 14,.38, says that the Minolta Anastigmat Nippon viewing lens of the Minoltaflex (I) was made by Chiyoda."Semi Minoruta I-gata gaibun." Things heard about the Semi Minolta I) In Camera Collectors' News.131 (May 1988).Awano,.7 of Kurashikku Kamera Senka.12.The remaining camera controls are on the back panel, along with the optical viewfinder eyepiece and.6-inch color LCD monitor.Ultra-compact digicams often seem to involve a lot of compromises and tradeoffs, but the Dimage Xg takes very nice photos under a wide range of conditions, offers a decent range of exposure control (exposure compensation and white balance adjustments and has surprisingly long battery life.Source: "Kokusan shashinki no genjchsa" Inquiry into Japanese cameras shutter item 18-P-27.The Dimage Xg's flash had some trouble throttling down for the macro area and overexposed the shot.The company began offering consumer-level digital cameras in the late 1990s.31 In 1950, Chiyoda released the Konan-16 Automat, a subminiature camera that used its own 16mm film format.Tokyo: Asahi Shinbunsha, 1994.
My biggest complaint was that it seemed to have larger than average increments in exposure between adjacent exposure-compensation settings, despite it's supposed 1/3 EV adjustment step size.